Shaped in five equal lobes, the gently flaring mouth of this water jar by Shinobu Kawase appears like an opening flower. Seen from the top, it is shaped like a cherry blossom; while seen from the side it could be a trumpet flower. The jar’s neck tapers inward then curves out again at the shoulder where the body’s five lobes echo the rim.

A custom black lacquer lid sits perfectly on top. But there is only one correct position, which becomes obvious as you turn the lid until the lobes match those of the rim. The slightest differences in shape are accounted for - a testament to not only the handmade nature of the jar but also Kawase’s dedication to perfection. Emphasizing the shape of the mouth’s empty space, the inky black lacquer sits on the rim like it’s been poured into place.

I have not come across many mizusashi by Kawase. It seems he made them only for a short time, during the late Introduction / early Development phases of his career. The inspiration of classic Song dynasty celadons is obvious. Both the warm and soft appearance of the glaze - gently webbed in lavender crazing - and the elegantly lobed form pay tribute to the Lonquan Guan celadon wares of the Southern Song.

Not unlike the impact of Greek sculpture on Rome, the importance of Song celadon to 20th century Japanese seiji artists can’t be understated. In pursuit of a pure beauty, Kawase has spent more than 50 years inspired by the possibilities of celadon.

Comes with the signed, stamped, and titled wood box, and stamped wrapping cloth.